Nathan Ruttner, Interior Design for Residential & Commercial.
This practice is a display of thought and obsession established by Nathan Ruttner. Nathan’s storied history of domestic and commercial interiors creates reflective and reflexive spaces designed to be iterative and lasting. Backdrops for meaningful living, principles grounded in lasting merit, designed sturdy enough, considered enough, to well wear the infinite knots of time. After formative years of experience with leading architectural spirits Kerry Phelan, Paul Hecker and Hamish Guthrie, Nathan has accomplished a collection of projects that warrant the attention that went into them. Among key projects sit familial home spaces ready for lives well lived. Commercial spaces that artfully walk the high wire act of personal and functional. Each project requires a unique toolkit of services. As such we provide the following: Across the faculties of residential, multi-residential, hospitality, retail and boutique offices, we provide concept design, design development, construction documentation, project administration, styling and furniture procurement, furniture and joinery, lighting design and art consultancy. Recent accredited press within well-flicked titles include House & Garden, Habitus Living and so on. For further shared introspection, we invite you to read and brush with your cursor some notes below.
Telephone: +61 404 953 990
Email: nathan@nathanruttner.com.au
Address: 11/193 Domain Road South Yarra 3141
Instagram: @nathanruttner
001 / Service
A gesture, anticipated before asked for. Hospitality not just as an industry but as a core approach. A formality that shows structure and confidence, served alongside charm and a bit of cheek. Design and process that is both buttoned up and very much relaxed – places that put people first, and serve them well for years to come.
Sisto Malaspina (2014) by Italian Dreamtime
Source: Italian Dreamtime
002 / Myth
There is no shortage of reference and idolisation when it comes to our design luminaries. As such, a clear-sighted yet rigorous approach to influence enlisted. While masters, Duysen, Schuybroek, Vervoordt, Pawson, McQualter, Crawford, Judd and Rams all lie quietly in wee towers of books beside us, our projects initiate with words before images. Slowly and certainly influence is allowed in, just with the right amount of myth and ethos to deeply affect both architect and client.
Zimmermann Madrid (2022) by Studio McQualter
Photography: Lewis Ronald
003 / Tempo
After the penny drops and a period of focused development takes place, a brief pause is always necessary. A step back, a breath to take a beat, a moment for the subconscious to set in. And not before long, waking thoughts of the space, the minutiae of details, the bread, butter and jam of the thing come together. In step with our client, a rhythm to the work reaches its’ stride, a productive tempo of action and feedback sees results.
51 rue Raynouard (1932) by Auguste Perret
Photography: Hotze Eisma
004 / Tarantino
What is design without storytelling? A deep knowledge of cinema, scene and detail are the roots of all moving spaces. While we share stills of our spaces, it is in the moving narrative interplay that we get very excited. Admittedly, almost all of Tarantino’s films may be quite undesirable to live in, but through a lens of thematics, we look to create moments as beautiful, bold, surprising and rewarding; where the client can live out their most cinematic dreams.
Kill Bill: Vol 1 (2003) by Quentin Tarantino
Source: Miramax Films
005 / Long Black
There’s no hiding within a long black. Suppose the beans were not sourced or ground correctly bitterness, rough, like a stubbed cigarette may lurk beneath. A correct measure of good water is all that’s needed, too much and the brew won't do the trick. Each design starts with a great long black and a quiet and deep moment of reflection for each space. Authenticity in material, process and intention is laborious but worth every sip.
Rush Chair (C. 1960) by Charlotte Perriand
Source: Galerie56
006 / Darkness
Complete quiet darkness, a reprise in light that seems to always catch us off guard. Should you, through breath, touch or kind reassurance, just wait, darkness softens. Our pupils swell open, optimistic to receive shape and tone. Minamidera a space created by Tandao Ando for Turrell’s Backside of the Moon, offers us a chance to perceive light and darkness without words or reference points. With this understanding of darkness and space we craft spaces that welcome light, reflection, shadow and purpose.
V39 Day In Day Out (2022) by Greg Wood
Source: Greg Wood
007 / Touch
Stone with age becomes smooth as porcelain. A silver ring, becomes polished by the fingers that rub it daily, the same fingers that scratch it when reaching for keys or clasping the ground during push-ups. Natural finishes, made and applied by hand, weave together a lasting and remarkable intention. Individually selected ceramic tiles, imperfectly cast bronze hardware, the fingerprint of Venetian hard plaster and the fall of great linens. Touchpoints, wrinkles, notes in the marginalia, signs of considered design.
Orpheus (1958) by Isamu Noguchi
Source: Noguchi Museum Collection
008 / Legacy
Creating human moments that speak of an elevated start, middle and end. You may view it as the base, body and top notes of a heady fragrance, coming together – Our legacy is one of defined listening. A resonance of real living needs, reflected in principled and timeless spaces. Interiors grounded in their ability to welcome layers, celebration, loud music, quietude, growing families or solidifying needs.
VVD II Residence (2003) by Vincent Van Duysen
Photography: José Manuel Alorda